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Write an Electric Ten-Minute Play with Barbara Blatner via Zoom
February 27 @ 12:30 pm - 4:30 pmFree – $124
Ten-minute play festivals abound. How do we write a really interesting ten-minute play that is not a skit, is shaped for maximum impact and becomes a full and fascinating experience for an audience?
In this workshop, you will write a new ten-minute play and work to make it crackle with tension. You will first identify the core conflict you want to explore, then unfold in time your intensifying conflict by crafting what is called rising action.
Writers of all levels of experience are very welcome. Come prepared to write a complete script. Participants can also choose to work and work on a new ten-page scene from a longer piece.
The workshop will take place via Zoom. Zoom link instructions will be emailed at the time of registration. Please check spam filter and email [email protected] with questions.
Please note: The Altman Person of Color Scholarships are free and given on a first come, first served basis. Please only sign up for one class per month. Please notify us right away if your plans change and you cannot attend the class. We will then reopen the slot so another student may register. Thank you in advance for this consideration.
Barbara Blatner is a playwright, poet and composer. In Fall 2010, New York Quarterly Books published her verse memoir about her mother’s death, The Still Position, and in 2012 brought out a second full-length poetry collection, Living with You. Her play Years of Sky was produced at 59E59 Theatres in New York City in the summer of 2013 by Scripts Up!, supported by a grant from the Driehaus Foundation, and won the Columbia-Greene Playwrights Contest and the New Works of Merit award; a revised version of the play was presented as a 2015 Great Plains Theatre Conference PlayLabs play.
Barbara’s verse play for Epiphany, No Star Shines Sharper, was produced for stage and radio by the Mystic Theatre Company in 2004, published by Baker’s Plays in 1990, aired repeatedly on National Public Radio stations and acquired by New York’s Museum of Television and Radio. Grassy Knoll was produced in the First Annual Boston Theatre Marathon (1999) and appeared in Baker’s Plays anthology of plays selected from that event, and in New York’s Turnip Theatre Short Play Festival (1997). Shadow Play received a workshop production in the Cleveland Public Theatre’s 1993 New Plays Festival. Barbara’s adaptation of Tadeusz Borowski’s This Way for the Gas, Ladies and Gentlemen was commissioned by New Voices and staged at the Boston Public Library. The Choice, a video about childbearing written and produced with Diane Woodbrown, was shown in the 1991 International Women’s Video Festival.
Work staged in Boston’s New Theatre’s NeWorks series includes Years of Sky (ten-minute version, Honorable Mention, Nina Shengold’s Actors and Writers Short Play Contest), Betty and Mortie (a musical), and Marilyn Monroe in the Desert. Clearingand White Ashes were finalists in the O’Neill International Playwrights contest, Postures was staged by the Capital Repertory Company, and The Fair was produced by the Albany Playwrights’ Workshop which Ms. Blatner founded and where she worked as director, writer and composer under a CETA grant for four seasons.
Music compositions include songs for the 1989 Boston Shakespeare Company’s Irish Plays season, a score for the Merrimack Repertory Company’s Young Artists at Play Alice in Wonderland, and an instrumental score for New Theatre’s 1996 premiere of Rosanna Alfaro’s Pablo and Cleopatra. She recently co-wrote the book and wrote lyrics and music for a children’s musical, Heartsong.
Blatner’s chapbook of poems, The Pope in Space, was published by Intertext Press in 1986; poems, fiction and reviews have appeared in Beloved on this Earth (anthology), Heliotrope, House Organ, Poetry Northwest, The New York Quarterly, Lift, Apalachee Quarterly, 13th Moon, and others.
Blatner has taught Creative Writing and Composition at Yeshiva University since 2002. She received a Doctor of Arts in English from the SUNY-Albany, an M.A. in Creative Writing from Boston University, and a B.A. in Music Composition from Vassar College.