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The Fire Songs: An Online Poetry Craft Class & Workshop with Marchant (via Zoom)
June 27 @ 12:30 pmFree – $124
In many civilizations of the ancient world, fire was often thought to be one of the four elements of being. One can still see how central it is to our daily experience. Just think of all the fire, both literal and metaphorical, that we have within and around us. Think of the wildfires we see in the forests or plains, or think of starting a campfire and the smoke rising, and later the ashes we douse and scatter. Think of the nuclear engines of the sun and stars, and think too of the internal combustion engines we still depend on. Or think of the fires of the heart, the love and desire that flare, the embers that glow, the warmth of tenderness, the heat of strong passion, the way such fires need ongoing care. Just think too of the pain of being burned. Think of the fires of warfare. For our one-day workshop, I’d like to focus on “the fire songs,”–the poetry that embodies or otherwise references fire in any of many forms. I would like you to bring (via our online platform) sufficient copies of a poem of yours that is one of your own fire songs. It could be a brand-new poem or a poem you have been working on. Our workshop will begin with a discussion of fire-song poems by other poets. Those readings I will send to you in advance of our workshop, but most of our day together will focus on a discussion of your own poems. Your poems will be distributed on the day before our workshop. I look forward to seeing you and engaging your work together.
NB: This class will be taught on Zoom. The first hour will be a craft talk and there will be up to 4 hours of workshopping. This class is capped at 13 students. There is one need-based scholarship and there are two Altman POC Scholarships given on a first come, first served basis. Please remember not to sign up for more than one scholarship class every other month. Please tell us ASAP if your plans change and you can no longer use the seat. We will open up the scholarship to someone else. Thank you in advance for your cooperation with this!
Fred Marchant’s most recent collection of poetry, Said Not Said, was published by Graywolf Press in 2017, and was recently designated as an “Honored Book” by the Massachusetts Book Awards. Marchant’s first book, Tipping Point, won the 1993 Washington Prize, and was reissued in a 20th anniversary second edition. His other books include Full Moon Boat (Graywolf, 2000). and House on Water, House in Air (Dedalus Press, Dublin, Ireland, 2002) and The Looking House (Graywolf, 2009). He is also a co-translator (with Nguyen Ba Chung) of collections by several contemporary Vietnamese poets, including work by Tran Dang Khoa, Vo Que, and Le Chi. Marchant is the editor of Another World Instead: The Early Poems of William Stafford, 1937-1947 (Graywolf, 2008). He has had new poems in journals such as The Baffler, Pangyrus, and Solstice, and has new work forthcoming in Consequence, Maintenant, Plume, Passengers Journal. An Emeritus professor of English at Suffolk University, and founding director of the Poetry Center at Suffolk, Marchant was the 2009 co-winner (with Afaa Michael Weaver) of the New England Poetry Club’s May Sarton Award, given to poets whose work “is an inspiration to other writers.”