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The social urgency of hybrid poetics with Chris Campanioni via Zoom
January 23 @ 12:30 pm - 4:30 pmFree – $124
Please note that this workshop is now sold out! Thanks for all the interest. If you want to be put on the waiting list for this workshop, or have questions about other workshop options, please email [email protected]
“Every life is the defense of a form,” wrote Susan Sontag in her notebook in March, 1979. “Form is the defense of every marginalized life,” I wrote in my notebook in February, 2017. Hybridity is the salve & salvo for those of us who have been marginalized, who exist in the margins, who exist in the middle & on the edges, halfway between two points, at the intersection of categories & labels, race & ethnicity & gender, an expression of the isolation & alienation of non-binary, non-normative, mixed race bodies. What better way to empower our neo-mestizo experience than to re-present it through the liminal frame of the hybrid, cross-genre text? When I re-trained my own eyes how to see myself from outside myself, I began the long work in re-teaching myself how to write.
May all our accountings be irregular. May all our lives be in defense of form: our own blood & breath, breath & flesh. May we always defend our form; may our form always defend us from the hierarchies of genre & all of its generic expectations. A great deal has to be given up if you are going to succeed in creating a generative work of art, unless what might be given up is taken away from you. Unless what is taken away from you is your voice. If reading your writing is a way out of exile, writing toward a new way of reading is a method to engender empathy, dismantle conventional narrative, undo silencing.
Objective: To straddle the line between poetry & prose, essay & narrative, list & analysis. I’d like to think of the hybrid form as a map, an itinerary, an index, a choreographed movement that allows one to move between text & context, past & present, meaning & making—& moreover, the moment of making. On the fly. In this one-day workshop, we’ll learn to embody the liminal hybrid form by embracing our own liminal, intertextual, fluid, often performative, identities. Let’s locate ourselves on this map & re-present our way of seeing; our way of being in the world.In doing so, we’ll think about our own work in relation to the markers of lineation, prose poetry, the essay, & the list, not to form distinctions but to fulfill the synthesis of genre, the generic, & the generative. We’ll arrive in class ready to discuss ways in which we can integrate all of these markers in a piece, connect seemingly disparate moments & ideas, & leave with a great work-in-process.
This class is ideal for those of you who have taken Chris’s previous class on hybridity at HVWC but newcomers are welcome.
This class will be taught online using Zoom. Login instructions will be emailed at the time of workshop registration. Please check spam/promotions filters or email [email protected] with questions.
Please note: The Altman Person of Color Scholarships are free and given on a first come, first served basis. Please only sign up for one class per month. Please notify us right away if your plans change and you cannot attend the class. We will then reopen the slot so another student may register. Thank you in advance for this consideration.
Chris Campanioni is a first-generation American, the son of immigrants from Cuba and Poland, and the author of the Internet is for real (C&R Press). His “Billboards” poem was awarded an Academy of American Poets College Prize in 2013, his novel Going Down was selected as Best First Book at the 2014 International Latino Book Awards, and his hybrid piece “This body’s long (& I’m still loading)” was adapted as an official selection of the Canadian International Film Festival in 2017. He runs PANK and PANK Books, edits At Large Magazine and Tupelo Quarterly, and teaches Latino literature and creative writing at Pace University and Baruch College.