WELCOME TO THE HVWC CALENDAR: home of all our upcoming readings, events and workshops. You can view by list or calendar (see right menu to choose). Click the colored tabs below to show only specific options. Our workshops run as multi-session series or one-day “intensives.” Note, we list the multi-session courses on the first day they meet only. The full dates of the session are described in the course descriptions. You would need to scroll back to the start date if you needed to enroll for something already underway. But do let us know if you want to join something in midstream since we need the blessing of the instructor. Questions? Email us.
The Art of Revision: A Craft Talk & Workshop with Joan Houlihan via Zoom
May 2 @ 12:30 pm - 4:30 pmFree – $124
Join award-winning poet, professor, and director of the Colrain Manuscript Conference, Joan Houlihan, as she teaches a one-day craft class on the importance of revision.
NB: This class will be taught via Zoom and capped at 15. Register right away because Joan’s classes always sell out. This class will be taught online using Zoom. Login instructions will be emailed at the time of workshop registration. Please check spam filters or email [email protected] with questions.
More than any of the other writing arts, poetry satisfies the imagination through strategic omission, surprising order, precise or unexpected word choices and deep subtext. We read what’s implied or implicit in a poem as intensely as we read the actual lines themselves, gleaning more of what is being said by noticing the unsaid: tone of voice, rhetorical style, which topic is avoided or which word repeated; in other words, we read between the lines. We also read between the lines to build emotional subtext and narrative by connecting far-flung images, words and phrases, line to line; by sifting, adding, combining and synthesizing the visible and invisible parts of each line as we read.
This workshop poses the questions: How does the poem achieve its effects? How does the poet control these effects so as to collaborate with the intuition of the reader? How do we, as readers, construct meaning in poems without all the information? And, most importantly, how can we bring these techniques to bear when revising our own poems?
Participants will bring a draft or a poem in process.
Joan Houlihan is the author of five books of poetry, most recently, Shadow-feast (Four Way Books, 2018). Other books include Hand-Held Executions: Poems & Essays (2003); The Mending Worm (2006 Green Rose Award from New Issues Press); The Us (2009; Must-Read distinction from the Massachusetts Center for the Book), and Ay (2014), a sequel to The Us, both from Tupelo Press. In addition to publishing in a wide array of journals, including Boston Review, Columbia: A Journal of Literature and Arts, Gettysburg Review, Gulf Coast, Harvard Review, Plume andPoetry, her poems have been anthologized in The Iowa Anthology of New American Poetries (University of Iowa Press, 2005); The Book of Irish-American Poetry, 18th Century to Present, (University of Notre Dame, 2007); The World Is Charged: Poetic Engagements with Gerard Manley Hopkins, (Clemson University Press, 2016), and The Eloquent Poem: 128 Contemporary Poems and Their Making (Persea Books, 2019). She has taught at Columbia University, Emerson College and Smith College. She currently serves on the faculty of Lesley University’s Low-Residency MFA in Creative Writing Program in Cambridge, Massachusetts and is Professor of Practice in Poetry at Clark University in Worcester, Massachusetts. Houlihan founded and directs the Colrain Poetry Manuscript Conference.