WELCOME TO THE HVWC CALENDAR: home of all our upcoming readings, events and workshops. You can view by list or calendar (see right menu to choose). Click the colored tabs below to show only specific options. Our workshops run as multi-session series or one-day “intensives.” Note, we list the multi-session courses on the first day they meet only. The full dates of the session are described in the course descriptions. You would need to scroll back to the start date if you needed to enroll for something already underway. But do let us know if you want to join something in midstream since we need the blessing of the instructor. Questions? Email us.

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John James

John James is the author of The Milk Hours, selected by Henri Cole for the Max Ritvo Poetry Prize (Milkweed, 2019). He is also the author of Chthonic, winner of the 2014 CutBank Chapbook Award. His poems appear in Boston ReviewKenyon ReviewGulf CoastPEN AmericaBest American Poetry, and elsewhere. A digital collagist, his image-text experiments appear in Quarterly WestThe Adroit Journal, and LIT.

Also a scholar, John writes on poetry and poetics from 1740 to the present. He has presented papers at Yale University, the University of Chicago, and NAVSA’s 2017 Victorian Preserves conference in Banff, Alberta. His current project, tentatively titled “Made Future,” investigates the science, technology, and manufactured environments of the British eighteenth century.

His work has been supported by fellowships and awards from the Bread Loaf Environmental Writers’ Conference, the Academy of American Poets, and Georgetown University’s Lannan Center for Poetics and Social Practice. He lives in the San Francisco Bay Area, where he is pursuing a PhD in English and Critical Theory at the University of California, Berkeley.

October 2021

Little Revolutions: Writing the Contemporary Sonnet, a Craft Class with John James via Zoom

October 3 @ 12:30 pm - 4:30 pm
Hudson Valley Writers Center, Philipse Manor Station
Sleepy Hollow, NY 10591 United States
$124 10 tickets left

As a poetic form, the sonnet — or, “little song” — is distinguished above all else by its capacity to turn. While this movement presses against the natural compression of the form, it catalyzes semantic affordances otherwise unavailable to poems of such length. Perhaps unsurprisingly, the term for this turn (“volta”) stems from the Latin […]

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